Wilma van der Meyden
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Poem on the back of the exhibition invitation.
‘Cold Furrows’, white reflector tape and sickles.
‘Mielies/Maze’, oil paint and maze meal packaging on steel, 200 x 150cm
The orientation of the gallery was exactly north/south.
A beaded glass heart by Katrina Muhlangu on a light box.
A stained glass heart by Leonie Meyer on a light box. The two hearts were on opposite walls from each other.
A compass hanging between the two circles representing the southern and northern hemispheres
Space leading into ‘Cold Furrows’, a small installation with hearts made from glass and white reflector tape and sickles.
‘Red Tape’ installation view.
Doorway leading into ‘Cold Furrows’.
Installation view of ‘Stars’.
‘Mielies/ Maze’, Oil paint and wooden panels on steel.
‘Red Tape’ installation view.
‘First World and Third World Stars’, wooden panels with paint, suspended over an opening in the ceiling.
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Galleries

  • Urban Bloom 2022
  • Between Heaven and Earth 2022
  • Mosaic Art 2021
  • Nesting 2020
  • A Glasgow site in transition
  • Painted Portraits
  • Painting Archive
  • Leiden University Paintings 2016
  • The Hague City Hall, 2015
  • Seven Scapes Paintings 2014
  • Prinsjesdag Paintings 2011
  • Quiet Expectations 2011
  • Lange Voorhout Drawings 2010
  • Familiar Strangers 2010
  • The Second Sickle
  • Rooi AaRdE
  • Community Mosaic, Rotterdam
  • Community Mural, Australia
  • Community Art, South Africa

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