Wilma van der Meyden
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‘Cold Furrows’, white reflector tape and sickles.
‘Mielies/Maze’, oil paint and maze meal packaging on steel, 200 x 150cm
The orientation of the gallery was exactly north/south.
A beaded glass heart by Katrina Muhlangu on a light box.
A stained glass heart by Leonie Meyer on a light box. The two hearts were on opposite walls from each other.
A compass hanging between the two circles representing the southern and northern hemispheres
Space leading into ‘Cold Furrows’, a small installation with hearts made from glass and white reflector tape and sickles.
‘Red Tape’ installation view.
Doorway leading into ‘Cold Furrows’.
‘Red Tape’ installation view.
Installation view of ‘Stars’.
‘Mielies/ Maze’, Oil paint and wooden panels on steel.
‘Red Tape’ installation view.
‘First World and Third World Stars’, wooden panels with paint, suspended over an opening in the ceiling.
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Galleries

  • Urban Bloom 2022
  • Between Heaven and Earth 2022
  • Mosaic Art 2021
  • Nesting 2020
  • A Glasgow site in transition
  • Painted Portraits
  • Painting Archive
  • Leiden University Paintings 2016
  • The Hague City Hall, 2015
  • Seven Scapes Paintings 2014
  • Prinsjesdag Paintings 2011
  • Quiet Expectations 2011
  • Lange Voorhout Drawings 2010
  • Familiar Strangers 2010
  • The Second Sickle
  • Rooi AaRdE
  • Community Mosaic, Rotterdam
  • Community Mural, Australia
  • Community Art, South Africa

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